Ciritçi Abdullah as an Example of Positive Elderly Representation in Television Series


Creative Commons License

Ulusal F., Kırışık Sürer H.

XI. International Symposium of Social and Applied Gerontology, Antalya, Türkiye, 20 Kasım 2024 - 22 Şubat 2025, ss.61, (Özet Bildiri)

  • Yayın Türü: Bildiri / Özet Bildiri
  • Basıldığı Şehir: Antalya
  • Basıldığı Ülke: Türkiye
  • Sayfa Sayıları: ss.61
  • Ondokuz Mayıs Üniversitesi Adresli: Evet

Özet

Introduction/Purpose: In today's media-society relationship, the media plays a decisive role, bringing the concept of representation to the forefront. The media serves as a significant tool that reflects societal perceptions and behaviors. Television, as a medium, is an important part of everyday life. However, the representation of the elderly in television series is often constructed around negative narratives. Elderly individuals are frequently stereotyped as dependent and passive. In contrast, focusing on the positive aspects of aging could foster a more favorable perception of aging and old age. Therefore, the aim of this study is to analyze the character of Ciritçi Abdullah in the series Gönül Dağı as an example of elderly representation in television series.

Method: A qualitative research design was adopted for this study. Qualitative content analysis and descriptive analysis techniques were used in the analysis of the research. As a result of the analyses, two main themes and three sub-themes were identified. The first main theme is 'the example of Ciritçi Abdullah in the context of activity theory.' Under this main theme, there are three sub-themes: (1) physical activity, (2) social participation and social support, and (3) social role and family relationships. The second main theme is 'the example of Ciritçi Abdullah in the context of wisdom in old age.

Results: The research findings reveal that, contrary to the existing literature, the character of Ciritçi Abdullah is depicted as active, with strong social relationships and roles, independent/autonomous, wise, and a respected figure. In this sense, the character of Ciritçi Abdullah stands out as an example of positive elderly representation. Given that the series Gönül Dağı addresses a traditional societal structure and reality, it is an expected outcome that it features a positive elderly representation. However, it can be argued that this character is a significant example of a positive portrayal of aging in television series, countering the perception of old age reinforced by popular culture in modern society, which often positions elderly individuals in a lower status.

Conclusion: In conclusion, it can be said that the proliferation of characters like Ciritçi Abdullah in the media could contribute to improving the representation of the elderly and lead to positive changes in negative perceptions, attitudes, behaviors, and narratives toward older adults. In this regard, it is recommended to increase academic studies on elderly representation in the media.

Key Words: Elderly representation, Older adults, Qualitative design.