Civic Identity and Sacred Memory at the margins of Epic Geography: Paris/Alexandros, the Adresteia Legacy and the Representational Repertoire at Parion
OANNES - Uluslararası Eskiçağ Tarihi Araştırmaları Dergisi, cilt.8, sa.2, ss.384-399, 2026 (TRDizin)
- Yayın Türü: Makale / Tam Makale
- Cilt numarası: 8 Sayı: 2
- Basım Tarihi: 2026
- Dergi Adı: OANNES - Uluslararası Eskiçağ Tarihi Araştırmaları Dergisi
- Derginin Tarandığı İndeksler: TR DİZİN (ULAKBİM)
- Sayfa Sayıları: ss.384-399
- Ondokuz Mayıs Üniversitesi Adresli: Evet
Özet
This article examines Parion’s place within the epic and sacred geography of
the Troad through the relationship among civic identity, sacred memory and
public representation. It begins from the premise that the city’s identity
cannot be reduced to a single origin narrative, fixed etymology or
uninterrupted cultic continuity. Its central argument is that a distinctive
Parian repertoire of civic memory and representation can be reconstructed
from bodies of evidence belonging to different periods and carrying unequal
evidentiary weight. Colonisation and eponymic traditions, local sacred
genealogy, sacred topography, public commemoration and numismatic
imagery served different functions within this repertoire. Although Parion was
an Archaic foundation outside the Homeric narrative, its location between the
Propontis, Hellespont and Troad enabled later associations with the region’s
epic past. Strabo provides the principal textual basis for discussing Adrasteia,
Apollo Aktaios, Artemis, the reported transfer of sanctuary material and the
Altar of Hermokreon. Athenagoras’ contested Alexandros passage offers a
specific textual record of a taphos, bronze eikōn, sacrifice and festival in the
agora, while the Paris/Alexandros identification remains a defensible but nonexclusive
modern reading. The Gorgoneion, Apollo Aktaios, Eros/Cupid and
Pario Conditori types document the circulation of selected images and sacred
or founding references without establishing collective belief, ritual continuity
or a single political programme. In the Roman period, local, sacred and epic
memories were rearticulated through colonial status and imperial visual
codes.